Ensemble, which is held at the Vientiane Center from October 25 to 26, 2022, is he part of side events for 2022 ASEAN-KOREA Innovative Culture Forum and was enabled by coopration of the Korea Foundation for International Cultural Exchange (KOFICE) and the Asia Culture Center Foundation (ACCF).

Lugas Syllabus uses the parallels between human civilization and nature to emphasize that no matter how advanced the former is, it must rely on the latter for survival. 

ChangChun Project’s Random Forest is AIdrone flight project inspired by the word “ensemble,” also featured in the exhibition title, and its mathematical definition when it was created in 2021.

2012, I ran my first studio, and it became the first clay studio in Laos, named" Clay House Studio," creating video and stop motion works.

Eun Woo Cho’s work AI, Brain Wave & Ideal City invites the spectator to wear a wireless EEG headset and look at body parts cast...

Encounters - World Beyond, a special exhibition of 2021 ASEAN-ROK Culture Innovation Summit, introduces works of three media artists representing the Republic of Korea, Singapore, and Vietnam as well as the Summit archives.

Real-time live simulation reacting to air quality index. The virtual forest reflects the current state of the 'real' environment in weather patterns and air...

Lim Shengen, Self-Portrait 1.0, Digital print on vinyl with Augmented Reality Digital Image_Artist app Shennanigen (free download for iOS and Android), 2017, 150cm x 150cm

In detail, the two works, Chapter 1: The Legend of Lieu Hanh (2019) and Chapter 2: The Blessed Child (2019) explores different narratives of memory and questions the relevance of len dong (spiritual mediumship) in contemporary Vietnamese context.

Encounters, a special exhibition presented as part of the 2020 ASEAN-ROK Culture Innovation Summit, introduces the work of three artists from Malaysia, Singapore, and Korea.

TIKAR/MEJA is a signifier of administrative power – colonial, patriarchal, federal.

The 49th Hexagram, which is a commission meant to commemorate the 40th year anniversary of May 18th in Gwangju. Other than South Korean musician-artists such as Ryu Hankil, Park Minhee and Bek Hyunjin, I worked with a group of animators from a different part of Korea. This project enabled me to engage with Korean history, and I found the resilience and determination of the Korean people over the last century extremely moving.

Each figure of this unlikely collage of the past and the present is gazing at different points, yet from an equal stand. As visitors walk through, shadows reflected on the walls overlap with the bodies of the visitors.