Le Thanh Tung (Crazy Monkey)
I realize what I learned from traditional art with what I’m doing now with digital art shares the same creative process, and same aesthetic root.
ကျွန်တော်က စာပိုဒ်တစ်ခုပါ။ ကျွန်ုပ်သည် ဒေတာအစုံမှတဆင့် သင်၏စုဆောင်းမှုသို့ ချိတ်ဆက်ထားပါသည်။ ကျွန်ုပ်ကို အပ်ဒိတ်လုပ်ရန် ဒေတာမန်နေဂျာသို့ သွားပါ။ ဒေတာမန်နေဂျာသည် သင့်ဆိုက်စာမျက်နှာများတွင် အသုံးပြုရန် ဒေတာကို သိမ်းဆည်းသည့်နေရာ သို့မဟုတ် ဖောင်တစ်ခုတင်သွင်းသည့်အခါ ဆိုက်လာရောက်သူများထံမှ ဒေတာစုဆောင်းသည့်နေရာဖြစ်သည်။
ဒေတာမန်နေဂျာရှိ ဤစုစည်းမှုကို အကွက်များနှင့် အကြောင်းအရာအချို့ဖြင့် သတ်မှတ်ပြီးဖြစ်သည်။ ၎င်းကို သင့်ကိုယ်ပိုင်အကြောင်းအရာဖြင့် စိတ်ကြိုက်ပြင်ဆင်ရန်၊ သင်သည် CSV ဖိုင်ကို တင်သွင်းနိုင်သည် သို့မဟုတ် နေရာယူထားသည့် စာသားကို ရိုးရှင်းစွာ တည်းဖြတ်နိုင်သည်။ သင့်ထုတ်ဝေထားသော ဆိုက်တွင် အကြောင်းအရာကို ပြသနိုင်ရန် အခြားစာမျက်နှာဒြပ်စင်များနှင့် ချိတ်ဆက်နိုင်သည့် နယ်ပယ်များကို သင်ထပ်ထည့်နိုင်သည်။ သင်၏အကြောင်းအရာကို တိုက်ရိုက်ထုတ်လွှင့်ရန် စုစည်းမှုကို ထပ်တူပြုရန် မမေ့ပါနှင့်။ ဒေတာကို သိမ်းဆည်းရန် သို့မဟုတ် စုဆောင်းရန် လိုအပ်သလောက် စုဆောင်းမှုအသစ်များစွာကို သင်ထည့်နိုင်သည်။
Digital environment as an "Escape Portal"
by Le Thanh Tung (Crazy Monkey)
Description
I'm Le Thanh Tung, aka Crazy Monkey, I'm a visual artist, Creative Director and founder of visual studio BOX Collective. I was born in Hanoi, but now live and work in Ho Chi Minh City, South of Vietnam. I started my career as an Illustrator about 10 years ago. And now, I work with real-time graphic software such as SMODE, Unreal Engine, Resolume and Notch. I’ve practiced seriously in real time computer graphic in the last 6 years.
With real-time graphics, I'm particularly interested in Volumetric and have applied that technology a lot in works. I often collaborate with dancers to capture their Volumetric images and use it as my aesthetic materials.
For me, it's about saving cultural values into a digital format and that process always amazes me. Also I started doing NFTs artwork to learn about how that market works. As you can see now is my latest NFT collection called CULTURE. It’s now on the Foundation website.
The transition from traditional art tools to real-time graphics took about 2 years. I have to learn a lot of things from the beginning. However, once I reach the point where I use real-time graphic software a bit confidently, I realize what I learned from traditional art with what I’m doing now with digital art shares the same creative process, and same aesthetic root.
With the help of technology, I have found many possibilities for my art creation.
The art is not static but can transform dynamically. The artwork is no longer limited to a 2D canvas, but it can be displayed in many different formats, surfaces and forms.
Along with the explosion of internet and technology in Vietnam, the presence of "screens" from personal devices, from LED screens, or computers where people look at them every day to communicate and work, has created a new "creative space" for digital artists like me.
Those creative spaces create new possibilities for the display of artwork, which in my opinion are difficult for traditional art forms to keep up with. The combination of technology and art has no precedent in Vietnam, when people have only been touched by this concept in the last few years.
In a country where you will have to be careful with your words, the digital environment is an "escape portal" for young Vietnamese artists. When technology is the daily breath, it is really easy to reach the higher levels in that space, such as technology & art.
That is why digital art content is of such widespread interest. The explosion of Virtual Reality content during social distancing, or the digital currency technology that created NFTs, building an unprecedented P2P art exchange base, will be a revolution in content creation and will be applied widely in future art markets.
For me, as a Vietnamese artist, when I stand in front of that picture, I'm really overwhelmed and excited. I still want to preserve my traditional art heritage, but will find ways to combine them with technological trends. Technology has changed the world, and now it's going to change art.
The forms of art production, art archiving, and art trade will radically change.
Bio
Le Thanh Tung (aka Crazy Monkey) is a Visual Artist and Creative Director currently working in Ho Chi Minh City. With more than 15 years of experience in the field of Design - Creative, in recent years Tung has been trying to level up his art projects with the application of new technologies. For most projects, Tung uses volumetric display technology to duplicate his perspective into the digital graphics space. Tung's art and technology projects have been exhibited and performed in many countries around the world, such as the London Design Biennale in the UK, the South Wind Rise exhibition in Taiwan, and Disembedding at the HOW Art Museum, China. With extensive experience in real-time computer graphics, Tung is currently digging into other new high-tech trends such as Generative Computer Graphics, NFT and the artistic side of the new Metaverse.